Lately, I’ve been in a mood for espionage. I’ve had a low-grade thing going thanks to
Ken Hite’s “Night’s Black Agents,” one of those amazing games I’m probably
never going to get to run. Then, someone
on RPGnet put up an amazing breakdown of all the conspiracies in the module
that came with the game, which hit my nostalgia buttons hard. After that, I read Greg Rucka’s new novel Bravo, which really got my fires going
and led to me watching “The Sandbaggers,” which is probably the best espionage
show ever produced. And thanks to the
glorious 70s goodness of that show, the next thing I knew, I had my old copy of
“Top Secret” out of storage.
OK, truth be told, it’s an old copy, and it’s mine, but I
actually bought it pretty recently, having lost/sold/misplaced my copy of the
hard to find second printing (more on that later) some years ago. I found this one at North Texas RPG Con, sans
box, for six bucks. I may have done a
little dance. Reading through it was a fantastic flashback: TS was one of the
first games I bought and really went nuts with.
I went to high school during the Cold War, and TS had a sense of realism
that D&D couldn’t match. Though, in
retrospect, much of what we did was either commando raids, or PVP games in the
blood-soaked streets of Sprechenhaltestelle.
For the uninitiated, “Top Secret” was published by TSR in
1980. The system is, honestly, a
mish-mash, incorporating percentile ability scores, derived characteristics,
and a rudimentary skills system (Areas of Knowledge), stapled to a class and
level system (where Class doesn’t really do anything except determine your
experience table and a few mission bonuses) that uses a firearms combat system
derived from “Boot Hill” and a hand-to-hand system that combines diceless
maneuver resolution with random damage.
It’s a mess. A grand,
glorious mess. It’s a blast to play,
even if lots of things don’t make sense.
The expansions (mostly in Dragon Magazine, later collected in the “Top
Secret Companion”) added multiple layers of additional detail along with some
good bits, like a system for using and improving Areas of Knowledge. A second edition came out in 1981, which
included two new forms of hand-to-hand combat (sword and knife fighting) but
was otherwise identical. Unfortunately,
both editions used the same box and trade dress, so the only way to tell them
apart is to look. Which is why finding
an unboxed one was such a great moment.
But, like I said, it’s a mess. And while I love the Old School style of
play, I’m less enamored of rules systems that are all over the map. I suspect running it would quickly drive me
nuts. And so, I found myself retrieving
my “Top Secret S/I” stuff from storage as well.
“Top Secret S/I” (I think the S/I stands for “Special
Intelligence”) came out in 1987. It was
a complete re-design of the game sharing little more than the title and the overall
theme. It retained percentile
attributes, but added a point-buy skill system (modified by career, which
forced you to channel your skill purchases into specific areas). Clearly a product of later generation game
design, TSSI was also clearly intended to work as a generic modern action game,
as the “Agent 13” pulp sourcebook and the “FREELancers” low-level supers/cyberpunk
supplements showed. But it was, in its
own way, still a very clunky system. The costs of skills, for example, operated
in tiers, with a cost to buy the skill initially, a cost per level for the
first few levels, and higher costs for higher levels. Realistic? Maybe, but it
was also extremely tedious.
The skill resolution system also left a lot to be
desired. Depending on difficulty, a
skill might be reduced by ½, or simply suffer a -5, -10, or -20 modifier without
a lot of rhyme or reason. Given other
contemporaneous systems (GURPS and Danger International) which both handled the
genre more cleanly and easily (and for GURPS, that’s saying something) there
just wasn’t a lot in the rules that demanded to be played.
Some of it was that the game just didn’t feel the same. “Top Secret” agents felt grotty and
vulnerable, like characters out of Cold War fiction. TSSI characters felt like they belonged in a
superspy show, like “The Man From UNCLE.”
In fact, the ORION vs WEB conflict set up in the boxed set and carried
out through multiple adventures and supplements feels very much like an 80s
updated UNCLE story. In short, it wasn’t
the same gritty game as the previous version.
For some this was undoubtedly a feature, but for me it was a bug that
kept me from ever running it seriously.
It’s worth noting that TSSI had a ton of supporting
materials, and despite my misgivings, I actually own all of them. Some of them are pretty good. “Commando” gives the game the full-on
paramilitary treatment and introduces a brilliant mechanic (“Friction”) that
represents the inevitability of a mission going bad. “Brushfire Wars” is a book of adventures
specifically for “Commando.” The “Covert
Operations Sourcebooks v1 and 2” by John Prados provide a tremendous amount of
history and context for real world espionage but no game materials. And lots of folks swear by the “Agent 13”
sourcebook, though it doesn’t really do it for me, probably because “Justice,
Inc.” is my pulp game of choice.
In the end, I don’t see myself running either game in the
future. But it’s made for some lovely reminiscence.
